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Vinny & Ray

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Read the Independent Music Awards Press Release

High Energy Band. Vinny and Ray are redefining Latin Music. They lead 11 musicians in a superior musical performance reflecting their musicianship and showmanship. Their ability to play music comes from their soul…. A must see!

Ardel Records is pleased to announce that VINNY AND RAY is the recipient of the “Best Original Latin Song of the 2003” presented by the Independent Music Awards.  The award winning song “Rumba en el Barrio” is featured on their first album “Only the beginning” (released in 2002).  The news will be officially posted in January at the following site:

http://www.musiciansatlas.com/winners.asp
 

 

       

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Vinny Perez and Ray Perez are twin brothers, Puertorriqueños, born in the Bronx. Today they live and work in Connecticut. Their love for Latin Music comes from their ethnic background. Singing and dancing was always a part of growing up. During their high school years they began to play their instruments and they loved it! It became part of them just as they became part of their instruments….

They played for different bands until they formed their first band. Their first band consisted of 5 members and was known as ‘ORQUESTA PRESION” They became a local favorite band with their original songs and jamming style. They played at Block Parties, Colleges, Festivals and Dances…

The band branched out and eventually they formed VINNY AND RAY. The public recognized them by their names so they decided to keep it that way. Vinny and Ray’s band have played in venues such as: AFB in Washington, DC, the Catskills in NY, The International Arts and Idea Festival in New Haven. The Riverfront Recapture in Hartford,. Some of their opening acts were for Tito Puente, Ritchie Havens, etc..…
Their musical influence is as varied as their music…

Luis “Perico” Ortiz, Isidro Infante, Eddie Palmieri, Poncho Sanchez, Tito Rodriguez, Tito Nieves, are some of the artists that influenced them.…

Their unique style in playing and breathing Latin music transfers to the audience and you can see the synergy between the musicians and the public. Their performance always involves solos, percussion jams, big band sounds and a smooth, eclectic stage presence.

 

 
       
Credit. Contains portions of Entre Nosotros used by permission of Mogno Music. All rights reserved. This recording was produced by MOGNO MUSIC and licensed to Ardel Records.
 

FULVIO PAREDES

(GUITAR)

 Argentinian guitarist, born in Buenos Aires, began his guitar studies under the tutelage of Professor Eduardo Frasson at the early age of 6 years old. He also studied two years of piano with Elena Pallemaerts.  From 1980 to 1985 he formalizes his musical career at the Berklee School of Music in Buenos Aires, where he concentrated in jazz, specifically harmony and improvisation.  Formal studies also include piano, morphology, and audio perception with Professor Maria Luisa De Caro and classic guitar with Fernando Tavolaro, among others. In 1985 he traveled to Geneva, Switzerland where he enrolled at the Conservatoire of Popular Music. He finished his program in 1988. 

At the same time, Fulvio worked as a professional musician with several jazz groups, with sounds ranging from a latin based jazz to a rock/jazz base. He has participated in many European festivals and concerts, especially in Switzerland (Jazz Parade of Geneva; Festival of Montreux; Festival de la Cite of Lausanne). His musical talents allow him to play diverse styles such Brazilian music and “tango argentino”. In 1992 he began to record with many groups and has since began touring throughout Germany with his own group “Debute”.  Acts include the “maestro”, Dino Salluzi, and his European tour. 

With Laura Lahera, he finds a different language through which they establish an intimate dialogue where the voice and the guitar connect musically. Together, they participate in an international show “Tango, la elegia de quienes ya no son”, produced and interpreted by the famous Orquestra I FIAMMINGHI. 

DISCOGRAPHY: 

“Litoral”.  World Music. With the group LOA, Record Label AMC, 1989.

“Dale Duro”.  Music Afro-Venezuelan with the group Guapacha. 1992

“Jungle City.” World Music, second production of the group LOA, AMC, 1994

“Voces Caribes”. With Francisco Zumaque and his Orquestra, label Tropical Music, 1993

“Entre Nosotros”. Latin american folk and tango with Laura Lahera, MOGNO, 1999

“Tango, La elegia de quienes ya no son.”  
With Laura Lahera, JJ.Mosalini and the orquestra I Fiamminghi, Telarc, 1999.

 

LAURA LAHERA
(mezzosoprano)

 An Argentinean singer born in La Plata, a province of Buenos Aires, Laura Lahera began her musical career at the Escuela de Bellas Artes in La Plata.  She continued her craft at the “Conservatorio Manuel de Falla” with the classical singers Maria Fullin and Maria Jordan in Buenos Aires.  She sings as a mezzo-soprano soloist in the Colón, Cervantes, and San Martín theatres in Buenos Aires, performing pieces of contemporary music (Ginastera, Poulenc, Gandini) and directed by composers Armesto y Fontenla.  At the same time she dedicates herself to the popular music, singing jazz, Brazilian music, and tango. In 1977 she debuted in “EL Viejo Almacen” along with the six guitarists of Edmundo Rivero and directed by Roberto Grela. 

In 1978 she had to abandon her country for political reasons and she began touring Europe and Asia as a solo artist with a deeply rooted jazz foundation. Between 1980 and 1990 she sang at the “Copacabana” in Tokyo, the Casino of Monte Carlo, and the “Gaddi’s” in Hong-Kong, amongst others. In 1987 she was invited by Prince Hassan of Jordan to sing at the Palace of Amman, and a few months later she sang for Dianna Ross for her wedding.   

In actuality, she sings tango and Latin American folklore with Maestro Alfredo Marcucci’s Orquestra and also with fellow Argentinean guitarist Fulvio Paredes.  Together, they participate in the work “Tango, la elegía de quienes ya no son” with renowned Orquestra “I Fiamminghi”, and also with the famous bandeonistas Juan José Mosalini and Alfredo Marcucci. 

In addition, she portrays a woman María in the small opera “Maria de Buenos Aires” by Piazzolla and Ferrer, which “I Fiamminghi” premiered in February of 2000, and until now has been performed in Tilburg, Holland, Gante and Malines in Belgium,  Tel-Aviv and Jerusalem in Israel, and in the Covent Garden Festival in London.

  DISCOGRAPHY: 

 “Entre Nosotros”, a Latin American folklore and tango, paired with Fulvio Paredes.  Mogno Records, 1999

 “Tango, la elegía de quienes ya no son” featuring Fulvio Paredes, along with J.J. Mosalini and the “I Fiamminghi” orquestra.  Telarc, 1999

 

LAURA LAHERA
(mezzosoprano)


An Argentinean singer born in La Plata, a province of Buenos Aires, Laura Lahera began her musical career at the Escuela de Bellas Artes in La Plata. She continued her craft at the "Conservatorio Manuel de Falla" with the classical singers Maria Fullin and Maria Jordan in Buenos Aires. She sings as a mezzo-soprano soloist in the Colón, Cervantes, and San Martín theatres in Buenos Aires, performing pieces of contemporary music (Ginastera, Poulenc, Gandini) and directed by composers Armesto y Fontenla. At the same time she dedicates herself to the popular music, singing jazz, Brazilian music, and tango. In 1977 she debuted in "EL Viejo Almacen" along with the six guitarists of Edmundo Rivero and directed by Roberto Grela.

In 1978 she had to abandon her country for political reasons and she began touring Europe and Asia as a solo artist with a deeply rooted jazz foundation. Between 1980 and 1990 she sang at the "Copacabana" in Tokyo, the Casino of Monte Carlo, and the "Gaddi's" in Hong-Kong, amongst others. In 1987 she was invited by Prince Hassan of Jordan to sing at the Palace of Amman, and a few months later she sang for Dianna Ross for her wedding.

In actuality, she sings tango and Latin American folklore with Maestro Alfredo Marcucci's Orquestra and also with fellow Argentinean guitarist Fulvio Paredes. Together, they participate in the work "Tango, la elegía de quienes ya no son" with renowned Orquestra "I Fiamminghi", and also with the famous bandeonistas Juan José Mosalini and Alfredo Marcucci.

In addition, she portrays a woman María in the small opera "Maria de Buenos Aires" by Piazzolla and Ferrer, which "I Fiamminghi" premiered in February of 2000, and until now has been performed in Tilburg, Holland, Gante and Malines in Belgium, Tel-Aviv and Jerusalem in Israel, and in the Covent Garden Festival in London.
FULVIO PAREDES
Guitar

Argentinian guitarist, born in Buenos Aires, began his guitar studies under the tutelage of Professor Eduardo Frasson at the early age of 6 years old. He also studied two years of piano with Elena Pallemaerts. From 1980 to 1985 he formalizes his musical career at the Berklee School of Music in Buenos Aires, where he concentrated in jazz, specifically harmony and improvisation. Formal studies also include piano, morphology, and audio perception with Professor Maria Luisa De Caro and classic guitar with Fernando Tavolaro, among others. In 1985 he traveled to Geneva, Switzerland where he enrolled at the Conservatoire of Popular Music. He finished his program in 1988.

At the same time, Fulvio worked as a professional musician with several jazz groups, with sounds ranging from a latin based jazz to a rock/jazz base. He has participated in many European festivals and concerts, especially in Switzerland (Jazz Parade of Geneva; Festival of Montreux; Festival de la Cite of Lausanne). His musical talents allow him to play diverse styles such Brazilian music and "tango argentino". In 1992 he began to record with many groups and has since began touring throughout Germany with his own group "Debute". Acts include the "maestro", Dino Salluzi, and his European tour.

With Laura Lahera, he finds a different language through which they establish an intimate dialogue where the voice and the guitar connect musically. Together, they participate in an international show "Tango, la elegia de quienes ya no son", produced and interpreted by the famous Orquestra I FIAMMINGHI.

INTERVIEW BY BEN OHMART.

Laura Lahera and Fulvio Paredes - A Duet in One

By: Ben Ohmart (Assistant Editor)
2004-08-05

Mezzosoprano Laura Lahera and guitarist Fulvio Paredes work as one, weaving romance and passion out of a very embraceable album called Entre Nosotros, containing the following songs:
1. Madreselva (MP3)
2. Gracias a la Vida (MP3)
3. Lamento Borincano (MP3)
4. Pedacito de Cielo
5. La Mentira
6. Toda mi Vida
7. Anahi
8. Amarraditos
9. Na Baixa do Sapateiro (MP3)
10. Taconeando
11. Maria
12. Violin de Becho
13. Pajarillo Verde
14. Oblivion (MP3)
15. Serenatero de Bombos
16. Como dos extraños

Occasionally there is a guest, as on "Gracias A La Vida," but the percussion here is so soft as to merely be a faint underlining to a haunting love song. The same can be said for "Lamento Borincano," one of the most breathtaking tunes here, from 1930's Puerto Rico. It is a Latin hot night stirred up with sea breeze and latent sexuality - the theme of the album.

As Laura herself admits, "In reality, this CD is an intimate dialogue between a few instruments and the singer. That is the way we wanted it. We have shows that create this atmosphere, as well as shows with full orchestras and dancers in which we sing Argentinean tango, with all its splendor and strength."

My personal favorite is "Pedacito De Cielo" which contains a breathtaking vocal performance, yet the addition of Matias de Oliveira Pinto's cello to "La Mentira" gives a rich vibrancy that the other tracks simply cannot achieve, not wallowing in such a heart- breaking lower register like that.

The most arresting component of Entre Nosotros has to be Laura Lahera's voice. Born in La Plata, a province of Buenos Aires, she began her music career there at Escuela de Bellas Artes, continuing at the Conservatorio Manuel de Falla with classical singers Maria Fullin and Maria Jordan. She debuted in 1977 in El Viejo Almacen with the six guiartists of Edmundo Rivero. The next year she began touring, and has since circled the globe via London, Israel, Holland, Belgium and everywhere else the language of music does not need to translate.

Argentinian guitarist Fulvio Paredes was born in Buenos Aires where he began guitar studies at age 6 with Professor Eduardo Frasson. From there, he studied jazz, harmony and improvisation at the Berklee School of Music in that same country, and enrolled in the Conservatoire of Popular Music in Geneva, Switzerland in 1985. After years of performing with jazz and rock groups, he finally found the perfect collaborator in Laura Lahera.

"I have sung very little for the Spanish speaking public," says Laura, "nevertheless, even though the public does not understand the words, a lot of people 'feel' what the song says. My Latin audiences love Latin poetry; they have sensitivity. I chose the work not only because of the music, but also the lyrics. They are always songs that tell a story, and I prefer the stories that are well written, the stories that could be literature, such as certain tangos and boleros."

She loves Brazilian music, her favorite singers being Gal Costa and Chico Buarche. "My inspiration was the singer Elis Regina. She still lives through her beautiful interpretations. In the USA, I like Stevie Wonder, Alicia Keys and especially all jazz."

The internet has also been very useful for bringing the world closer to Paredes' and Lahera's door. Finding and hearing them online helps if you can't make it to European theaters such as the Concertgebough of Amsterdam, Palais Des Beaux Arts in Brussels, and the Tonhalle of Dusseldorff. That's where they've had their huge successes, especially with the big tango shows.

"In general, we rehearse very intensely for 15 days before any tour. When we toured Israel, we rehearsed for two weeks, 8 hours a day. This was a very complex show, it was an opera called Maria De Buenos Aires. For a tour with a quartet, one or two weekends is fine, and then each one of us practices alone."

More on Laura Lahera and Fulvio Paredes
* Genre: Latin Jazz
* Hometown: Belgium
* Duo's Website
* Label: Ardel Records
* Buy Laura Lahera and Fulvio Paredes' CD "Entre Nosotros"
* Contact CatDesigners

They are not currently touring. They were going to participate in the Festival De Tango De Tarbes, an event they had been involved with for the past six years. But they needed a rest. "We are getting ready for a flamenco/tango show," says Laura. "We are working on the concept. We are thinking of mixing the genres using the common elements. Playing with the lyrics and rhythms."

The passion for beauty is the standout concept in their work. "Music is an extraordinary adventure with no limits except those brought on by our own creativity. A song is sung different each time. That is why it is always new and passionate every time, for the artist and the listener both."

 

Niño Torrente.
   

Son Montuno is the musical base of everything considered Salsa today, the root of the Afro-Caribbean sound as rediscovered through the efforts of Ry Cooder and the 'youngsters' from the Buena Vista Social Club. Groups like Son de Hoy are bringing that musical tradition back with force. You can regularly hear them play places like Son Cubano, the Belle Epoque and Gonzalez & Gonzalez in New York City, but they're also beginning to tour extensively. This group is part of a new movement that is returning the essence of Afro-Caribbean music back to the fore. As musicians say, "it's back to the future". With Son de Hoy which means Son of Today, the future is now. To listen to Son Montuno, you no longer have to go to Buena Vista - Son de Hoy will suffice. This group can make you feel tropical really fast. When you see this CD, get it. I recommend it without reservations.

View Nino Torrente's EPK
View Niño Torrente's EPK

CD: “Nino Torrente and Son De Hoy”
The music is a mixture of rhythmic overtones with warm harmonies, romantic lyrics, and an urban feel that makes you tap your feet and sway to the rich sounds. Memorable hooks stay with you long after you're done listening. The compositions move both body and spirit.

Son De Hoy
Son De Hoy is a New York City band led by Cuban-born bassist, singer, and composer, Niño Torrente. Its repertoire ranges from traditional Cuban songs to original compositions. The band’s tight sound draws from old rhythms filtered through the multicultural energy of New York City. Son De Hoy appears weekly at Son Cubano and Cuba, and has also played at Nell's,
the Village Underground, La Belle Epoque, Gonzalez y Gonzalez, Risa, and Café Pertutti.


Artists
Niño Torrente

Before returning to his Cuban roots, Niño Torrente played a wide range of styles. In the early 90s, he formed a soul and funk band, Live Wire, with guitarist Ralph Nelson. Torrente and Nelson wrote dozens of songs that Live Wire performed, along with funk standards at Harry's in San Francisco and at other venues in the Bay Area. More recently, Torrente was chosen by filmmaker Malcolm Lam to compose the music for his new narrative film, Falling in Rhythm, about Latin dance. The album Niño Torrente and Son De Hoy contains some of the soundtrack for the film.

Jainardo Batista
Singer Jainardo Batista comes from a family with a long tradition in music and theater in Puerto Rico. As side man, Jainardo has worked with various Afro-Caribbean groups, including the Grammy-nominated Raíces Habaneras (2003) at New York's Town Hall and at La Esquina Habanera in Union City, New Jersey.

Oscar Oñoz
Born in Cuba, trumpet player Oscar Oñoz has performed extensively with various groups, including Cuban All-Star Orchestra at Town Hall, New York; Descarga Cubana concert in Jersey City, New Jersey, and the Rudy Calzado/Mario Bauzá Afro-Cuban Jazz Orchestra at Birdland in New York, among many others. Oscar's recordings include Havana Dream-A New York Reunion with members of the Buena Vista Social Club and Sonido Isleño Tres is the Place, voted by Latin Beat Magazine to be one of the 10 best Latin jazz recordings in 2001.

Renato Thoms
Conguero Renato Thoms began his music studies in Panama, where he was born, and continued at the Music Conservatory of San José, Costa Rica. He graduated from Berklee Collage of Music and did graduate work at the New England Conservatory of Music. Renato has played with Danilo Perez, Hilton Ruiz, and Eddie Palmieri, among many others.

Pablo Moya
Tres player Pablo Moya began his extensive music education in Cuba, where he studied saxophone, bass, and guitar. He also taught at Universidad Guillermo Moncada in Santiago, Cuba. Pablo has played with many bands and orchestras, including Cuba Libre, led by Juan Carlos Formell. He was also the creative director of Los Karachi, the first group ever to use 4 trombones. His recordings with Los Karachi include Los Meteoros del Caribe and De Nuevo Los Karachi.

Albert Leusink
Trumpet player and audio engineer Albert Leusink began lessons at age 11 in his native country, the Netherlands. Armed with an MA from Berklee College of Music, Albert's dual career has involved him in projects with Laura Nyro, Sepultura, Jeff Hamilton, Cuco Valoj, La Timba Loca, and the Washington Ballet, among many others.

Pablo Vergara
Pianist Pablo Vergara, a classically trained musician, moved to New York City to study jazz at Harlem's City College under Ron Carter. Since then, he has played and recorded with many jazz and Latin-jazz greats, including Alfred De La Fé, Chico Freeman, Dave Valentin, and Robby Ameen. An extremely versatile keyboardist, he has toured the United States with bands like Groove Collective, Topaz, Bob Marley's The Wailers, and Widespread Panic. He was the pianist and musical director of the Montecarlo All Stars Latin Band, sharing the stage with legends such as Liza Minelli and Elton John.

Igor Atalita
Igor Atalita is a native of Curaçao in the Netherlands Antilles. He studied at Berklee College of Music in Boston and then moved to New York City, where he has been playing the piano with various singers and bands, especially in the style of salsa and Latin jazz.

Vicente "Little Johnny" Rivero
Vicente "Little Johnny" Rivero was born in New York City. Drawn to the congas since early age, he started to practice at 10. In 1971, he began playing with Orchestra Colón, recording 2 albums that included tracks that became number 1 hits. In 1973, he moved to Puerto Rico and joined La Sonora Ponceña, playing bongos. As a member of this group he traveled the world over and recorded 18 albums with them. After leaving La Sonora Ponceña, he has performed with many other bands, such as Bobby Valentin, Celia Cruz, Charlie Palmieri, Cheo Feliciano, Dave Valentin, Eddie Palmieri, Batacumbele, Tito Puente, Willie Colón, and many more.

Chuíto de Jesús
Sonero Chuíto de Jesús, born and raised in Puerto Rico, started his musical career as a singer performing with various local bands. He moved to Massachusetts at 19 and continued to sing with local orchestras until his arrival in New York City in 1980, where he sang with Conjunto Monte Adentro, Louis Ramírez, and Javier Vázquez. musical director for Celia Cruz and Justo Betancourt. He recorded several albums with Richie Cabo, Lefty Pérez, and New York Power. Since then, he has shared the limelight with Domingo Quiñones, Tito Nieves, Conjunto Clásico, Soneros del Barrio, and many more.